A new format for my arts and entertainment reviews, no more listeners on a limited local radio station, and many more readers on the rising and relevant THE LOCAL (https://www.facebook.com/thelocalmalibu/) and select websites.
And just in time, for a promising 2019 cultural scene, even if expected to be more challenging to attend venues, especially downtown and across L.A. because of the inexorable traffic, which seems to be getting worse and worse, or is it me in my dotage getting more and more impatient.
You just have to be more selective choosing attractions and more cautious timing to get to them, and I as a guide will have to consider in my recommendations what is more accessible to an increasingly isolated Malibu. I do hate the PCH, with the 10 and 101 not far behind.
But I will not let that dampen my aesthetic instinct to search out the more off beat, for that is what I find most exciting about Los Angeles. It arts and entertainment scene is very much on the cutting edge.
With that in mind, upcoming this weekend downtown at the Theatre at the Ace Hotel is Gala, a very different and open appreciation of dance starring a diversity of professional and amateurs, including some challenged. Everything that I have heard and read about this imaginative production by Jerome Bel promises to be an uplifting evening. One night only, Saturday.
This is a co production of the Ford Theatres with UCLA’s Center for the Art of Performance. Based in Royce Hall on campus, the Center almost always can be expected to offer something challenging and contemporary.
That certainly can be described by the upcoming production of MOUTHPIECE, which advance notices contend melds music, dance and humor with just a bathtub for scenery to relate the experience of being a woman.“ Blurbs from feminist declare it “impossible to describe and truly unforgettable.”
A stronger recommendation for me is that the production took flight as one of hits of the 2017 Edinburgh Fringe Festival, which I consider as a critic a mother lode of imaginative theatre. It was originally conceived in the also ever inventive Quote Unquote Collective, a Toronto-based multi-disciplinary performance company that actively engages with urgent social and political themes
It will be at Royce Hall Rehearsal Hall, for five nights, Wednesday Feb 6 through Sunday, the 10th, certain at 8PM.
Also promising something different, in this case very modern dance, is the Ate 9 Company’s world premiere, entitled Blind Lady. It will be at the also innovative Wallis Annenberg Center for the Performing Arts, in its Bram Goldsmith Theatre, in Beverly Hills. February 15-16,.
With live music by percussionist Glenn Kotche and choreographed by Artistic Director Danielle Agami, if this is anything like the past productions of theirs I have been blessed to see, Blind Lady is sure to engage, and be memorable.
And it’s nice to get away from my ailing Malibu, if only for an evening.