Yes, I do tend to search out and favor idiosyncratic stage productions, rather than the more familiar cultural offerings, as I have commented on my arts and entertainment report for public radio 99.1 KBUU, and select websites everywhere.
It is not that I don’t appreciate the attractions at the Hollywood Bowl, Disney Concert Hall , and the Pantages theatre, among the more popular venues. And I do enjoy attending them on occasion.
But as I have observed an evolving Los Angeles has become increasingly open to the staging of individualistic and experimental productions. While they may be more challenging, if not at times off putting, they should be encouraged, and for me and other culture vultures, this makes L.A. the place to be, for feeling alive.
So it was last week it was to the Music Center’s Ahmanson Theatre, where the Wayne McGregor Company performed a dance concert based on the choreographer’s genome sequence. It made each selection random and unique, and as exquisitely interpreted by the supple, accomplished dancers, mesmerizing and fascinating.
And this week it is back to the Ahmanson for an equally promising experience of the Diavolo company’s Architecture in Motion, which weaves contemporary dance with dare devil gymnastics and fearless acrobatics; in the words of the choreographer, using “dance to explore the relationship between the human body and its architectural environment.”
Expect is the unexpected. What fun, and thank you Gloyra Kaufman Dance, for its continuing support of the contemporary productions.
Then next week enthusiastically recommended is the Los Angeles Master Chorale as you never heard it before, in two performance of the a cappella Renaissance masterpiece by Orlando di Lasso, “Lagrime di San Pietro,” in English, the Tears of St. Peter.
As directed by the always inventive Peter Sellars, Twenty-one singers will perform the magnum opus consisting of a madrigal cycle depicting the seven stages of grief that St. Peter experienced after disavowing his knowledge of Jesus Christ on the day of his arrest and prior to his crucifixion. It is described as a contemporary allegory for our fractious times; think the recent Senate deliberations.
Making this production particularly attractive to Malibu and Westside residents, is that it is being presented at the inviting Wallis Annenberg Center for the Performing Arts, in an accessible Beverly Hills.
And for the culturally adventurous, the venue known in brief as the Wallis deserves a shout out and support, for its cutting edge offerings, which the upcoming Master Chorale production next Saturday and Sunday most definitely promises to be, and no doubt a sell out too.