Coming very much to center stage this Fall in Southern California ever-expanding cultural scene is dance, as I herald on public radio 99.1 KBUU and websites everywhere.

Yes, the L.A Phil’s 100th anniversary is being celebrated and a challenging array of theatrical production demand attention.

Also being promoted more than ever is the spoken word, one-on-one celebrity interviews , though frankly they are hard to compete with the cacophony echoing in the nation’s capitol as mid tern elections near.

But dance as a happening stage performance can be an escape.

Certainly it is uniquely challenging, combining as it does music and movement, a feast for the ears, and eyes, and being an aging mesomorph, I am always amazed seeing what the body can do. That the engaging offerings are most definitely are increasing, is a joy.

Of particular attention tonight and this weekend, October 5 thru 7th weekend, at the Music Center’s Ahmanson Theatre, is the Company Wayne McGregor performing what promises to be a unique dance experience, most definitely for the namesake choreographer, and the audience.


Talk about being contemporary. McGregor has had his genetic code transformed into a computer algorithm, which will select the order of his dance performances. This will make each performance unique, as, of course, also will be the accompanying electronic music. But the fun does not stop for the Glorya Kaufman Dance season at the Music Center.

In effect doubling down on new wave performances at the Ahmanson, featured next weekend, October 12 thru the 14th, will be the West Coast premier of Diavolo Company’s Voyage, which was inspired by space travel. Also being performed will be the company’s more grounded signature piece, Trajectorie.”

Expect the unexpected, given Diavolo’s style of using dance and acrobatics “to explore the relationship between the human body and its architectural environment.”

Also expect dance to be transported to new visions this weekend at the always cutting edge Redcat Theatre, tucked under Disney Hall downtown.

There having its world premiere is choreographer David Rousseve’s Halfway to Dawn. Against a background of video imagery, nine dances are to express the spirit of the late composer Billy, Sweet Pea, Strayhorn. It promises to be provocative.



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Parallel careers as an urban planner and a journalist, principally at present airing commentaries on pubic radio 99.1 KBU.FM The many arrows in my quiver have included Emmy award winning reporter/ producer for local Fox Television News, design critic for the Los Angeles Times, urban affairs reporter for The New York Times, an editor of The New York Post, contributor to various popular and professional publications, news services and broadcast outlets, including Reuters, NET, NBC, CBS, NPR and the BBC. Founding editor of the East Harlem (NY) Independent. A diversity of professional positions and consultancies in the private and public sectors, (Metro, Disney Imagineering, Howard Hughes, M. Milken, NYC Educational Construction Fund, US Comptroller of the Currency etc,) assorted academic appointments (UCLA, USC, CCNY, Art Center etc.), and always open to new challenge. And let us not forget fashioning sand castles and acting on 90210, crafting TV docs, design reviews, master plans. Books: "The Dream Deferred: People, Politics and Planning in Suburbia," "L.A. Lost and Found," an architectural history of Los Angeles, "L.A. Follies," a collection of essays, and co-author of "The New York City Handbook." Writings have appeared in academic texts, commentaries on the web, scripts for TV, and wherever, latest the Architects Newspaper, The Planning Report and Planetizen.

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