Looking for something really different this weekend, check out the offering now until Sunday night at the always provocative Redcat theatre downtown L.A.

Tucked modestly as if an architectural after thought beneath the provocatively designed Disney Hall, the Redcat arguably is the premiere venue for cutting edge stage arts in L.A., and I would add presumptuously, also internationally, as I comment on public radio 99.1 KBU and websites everywhere.

Indeed, this weekend stage production entitled “Kamp” by the Dutch theatrical group Hotel Modern just might be for some too provocative, perhaps numbing, but for me compelling. The Paris newspaper Le Monde, declared it “an extraordinary and overwhelming spectacle.”

As described in an advance from the Redcat, “Hotel Modern makes the unimaginable imaginable;” a handcrafted scale model of a city built for mass murder, Auschwitz, and a setting for a wordless object theatre acted out under a video projection of live footage.

And where else would one expect to see and experience such theater but at the Redcat. Founded by Cal Arts , the Santa Clarita based school describes Redcat as its downtown center for innovative visual, performing and media arts, a home for diverse artists and audiences.

Redcat’s Mark Murphy adds with pride that the center is a place where “artists can open the mind and soul to help us comprehend beauty as well as atrocity.” Quoted is the German philosopher, Goethe, “ art is a mediator of the unspeakable.”

As a member of the ever-curious audience, and In the interest of public disclosure as a public radio commentator, the production of Kamp it is on my must list for personal and political reasons.

Meanwhile, as promised some observations about the current offering of Euripides’ BACCHAE , I attended last week at the Getty Villa in Malibu.

First, I love attending the productions at the Roman styled amphitheater, and over the years have looked forward to seeing the Greek tragedies appropriately performed there, especially in a contemporary vaudevillian style that is more easily digested, and fun.

And sure enough, Euripides’ drama of 2,500 years ago is for the most part engaging, as directed by Anne Bogart. But when a principal character delivers her interminable critical speech in her native Japanese, no matter with how emotionally, it lost me, and apparently the audience, and the production crashed.

Giving actors the freedom to express themselves in their native language might be worthy, but ultimately theater is about primarily connecting with the audience. Bogart’s Bacchae did not.


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Parallel careers as an urban planner and a journalist, principally at present airing commentaries on pubic radio 99.1 KBU.FM The many arrows in my quiver have included Emmy award winning reporter/ producer for local Fox Television News, design critic for the Los Angeles Times, urban affairs reporter for The New York Times, an editor of The New York Post, contributor to various popular and professional publications, news services and broadcast outlets, including Reuters, NET, NBC, CBS, NPR and the BBC. Founding editor of the East Harlem (NY) Independent. A diversity of professional positions and consultancies in the private and public sectors, (Metro, Disney Imagineering, Howard Hughes, M. Milken, NYC Educational Construction Fund, US Comptroller of the Currency etc,) assorted academic appointments (UCLA, USC, CCNY, Art Center etc.), and always open to new challenge. And let us not forget fashioning sand castles and acting on 90210, crafting TV docs, design reviews, master plans. Books: "The Dream Deferred: People, Politics and Planning in Suburbia," "L.A. Lost and Found," an architectural history of Los Angeles, "L.A. Follies," a collection of essays, and co-author of "The New York City Handbook." Writings have appeared in academic texts, commentaries on the web, scripts for TV, and wherever, latest the Architects Newspaper, The Planning Report and Planetizen.

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