It’s May in Malibu, and a little early for the seasonal early morning fog known as June gloom, and also on PCH, a little early for the summer weekend traffic.
Therefore if wanting to get out of the house, I suggest this week on public radio 99.1 KBU and select websites perhaps going to a museum. But not wanting to spend hours driving, perhaps consider staying a little closer to Malibu, and visiting the Getty Villa.
Our beaches may be famous, surfing legendary, but among the culturally curious, so is the villa, which located just east of the city line overlooking the PCH, is in effect our neighborhood museum.
And making it particularly attractive these days is its recent refurbishment. It not only seems to glisten a little more in the midday sun after the fog lifts, but also in its evocative and accessible interior, thanks to a new arrangement of the collection.
The fascinating sculpture, the intricate mosaics, intriguing ceramics and transfixing jewelry have all been placed in their respective cultural and historical context. The physical facilities also have been improved. There is more gallery space, upgraded display cases, and better lighting. Though I must add the graphics leading one through the Villa can be improved.
Of course, you can still wander around the galleries, diverted by glimpses of Cycladic figurines and stunning Greek sculptures. But if you look closely and follow the floor maps, revealed is a chronological path through the various ages of classical antiquity: from the Neolithic Period through the late Roman Empire — that’s 6,000 years plus.
But first upon entering under the atrium, to the right is a display labeled “the Classical World in Context,” which should be glimpsed before venturing into the reoriented Villa.
And immodestly also on first floor, are several galleries paying homage to J. Paul Getty. It was his vision that brought the remnants of the country Roman estate buried by the eruption of Mount Vesuvius in 79 A.D., piece by piece, to sunny Southern California, and incorporated with other ancient villas into the museum, which opened in 1974.
What can be missed is the Villa’s inaugural exhibit, “Plato in L.A.” which indulges the visions of several contemporary artists of the philosopher ‘s theories. I’ll just label it a flimflam and irrelevant.
Though having visited the villa many times, I still find it absolutely fascinating, to think of the intricacies of the art and craft of past civilizations placed as they are in a sympathetic setting and cultural context. And when the weather is Mediterranean mild and the sun shinning, the Villa sparkles.