I am happy to report on my arts and entertainment commentary for public radio 99.1 KBU and websites everywhere, that dance is flourishing in Los Angeles. But this frankly has made it a real challenge to keep up with the increased venues.

This is especially a problem if you, as me, love modern dance, melding as it does music, and movement, celebrating the sensuality of sound and the human body, embodying and expressing a range of emotions.

For me, it’s alive as no other art. But sadly I just can’t attend every thing, being just a once a week cultural critic with an aging Prius living on Pt.Dume in the far reaches of western Malibu. Finding time is fine, but getting places is a bitch.

So this weekend it is the hard choice between the L.A. Dance Project at the Wallis Annenberg Center for the Performing Arts in Beverly Hills, and a Kyle Abraham’s program of three premieres at the Center for the Art of Performance at UCLA’s Freud Theatre.

Both are promising. According to the advance publicity, Abraham, born into the hip hop culture, “entwines a sensual and provocative vocabulary with a strong emphasis on sound, behavior and all things visual, “ It is personal and provocative, and what you’ve come to expect from the inspired UCLA’s Center.

Meanwhile, at the same time, at the Wallis, premiered are three distinct performance pieces by its heralded company-in-residence, directed by Benjamin Millepied.

Included in particular is the Martha Graham Duets drawn from her magnum Diversion of Angels and Canticle for Innocent Comedians that in part won for her the title of “dancer of century,” and sainthood from her many legions of followers.

The chance to see a Graham creation performed also won me over, if only for the nostalgia. I was smitten seeing her perform 60 years ago, being introduced to her at a performance by a dancer friend of mine at the time in New York City.

And so my choice was the Wallis. The performance is for tonight, and tomorrow, at 7,30, and if you are interested hopefully there a few tickets still available.

And then there is next week at the Wallis, where the celebration of dance continues with an inventive reinterpretation of the classical ballet Giselle. A classical story yes, but expressed in contemporary dance techniques infused with African dance steps,. Have to see that. .

Performances are scheduled evenings, Thursday the 12th through Saturday, the 14th. It happily is on my schedule.

So is the acclaimed Dance Theatre of Harlem It will be performing for just two nights, April 20th and 21st, at the Eli and Edythe Broad Stage on Santa Monica. That also should not be missed.



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Parallel careers as an urban planner and a journalist, principally at present airing commentaries on pubic radio 99.1 KBU.FM The many arrows in my quiver have included Emmy award winning reporter/ producer for local Fox Television News, design critic for the Los Angeles Times, urban affairs reporter for The New York Times, an editor of The New York Post, contributor to various popular and professional publications, news services and broadcast outlets, including Reuters, NET, NBC, CBS, NPR and the BBC. Founding editor of the East Harlem (NY) Independent. A diversity of professional positions and consultancies in the private and public sectors, (Metro, Disney Imagineering, Howard Hughes, M. Milken, NYC Educational Construction Fund, US Comptroller of the Currency etc,) assorted academic appointments (UCLA, USC, CCNY, Art Center etc.), and always open to new challenge. And let us not forget fashioning sand castles and acting on 90210, crafting TV docs, design reviews, master plans. Books: "The Dream Deferred: People, Politics and Planning in Suburbia," "L.A. Lost and Found," an architectural history of Los Angeles, "L.A. Follies," a collection of essays, and co-author of "The New York City Handbook." Writings have appeared in academic texts, commentaries on the web, scripts for TV, and wherever, latest the Architects Newspaper, The Planning Report and Planetizen.

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