Needed some diversion from my concerns for Malibu’s public schools and my contempt for the Santa Monica school board bullies, and so it was off to the Getty, to do my weekly arts commentary, on public radio 99.1 KBU and select websites everywhere.
Crowning Brentwood above the 405, when the weather is benign the Getty cultural center is I feel an abiding sanctuary, graced with accessible art and reasonable fare.
Also personally attractive is that being so close to my Malibu,, makes me think of the Getty as my local museum.
And if there ever was a pair of glittering small gems epitomizing the Getty it is the current exhibits, Michelangelo to Degas, and Rembrandt and the Inspiration of India.
Michelangelo to Degas is hailed by the Getty as one of its most spectacular acquisitions of a private collection in its history, consisting of 16 drawings of a cadre of celebrated draftsman. Ii is a roster that includes Michelangelo, Tiepolo, Reubens, Degas, and my favorite Goya.
Of interest is that a pen and brown ink, opaque watercolor drawing of a figure in mourning credited to Michelangelo was discovered some 20 years ago, pasted into an album in the small library of an English castle. Then the Getty did what it does so well, and pursued it, and the obvious others.
All the art works fascinate, certainly when you consider how they were drawn in such exquisite detail, and with the limited raw materials and sketching tools available at the time. In viewing them closely, I suggest if possible do it with a hand held magnifying glass provided by Getty.
Included also in the exhibit, running to April 22, is a superb painting by Antoine Watteau,.
What makes the exhibit of Rembrandts particularly interesting is that his drawings of the Mughal court are very much in the popular Indian style, definitely not what Rembrandt was known for. They could be considered copies.
Also included for some perspective are his studies of 15th and 16th century Italian drawings, which unlike the Mughal paintings apparently influenced his art.
But the Indian sources remain unique in the master’s magnificent body of work. The exhibit runs until June 24th, and given that it will soon be Spring, consider that after viewing may I suggest contemplating it while having a coffee sitting on one of the cultural center’s inviting terraces.
To me that is a perfect day.

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Parallel careers as an urban planner and a journalist, principally at present airing commentaries on pubic radio 99.1 KBU.FM The many arrows in my quiver have included Emmy award winning reporter/ producer for local Fox Television News, design critic for the Los Angeles Times, urban affairs reporter for The New York Times, an editor of The New York Post, contributor to various popular and professional publications, news services and broadcast outlets, including Reuters, NET, NBC, CBS, NPR and the BBC. Founding editor of the East Harlem (NY) Independent. A diversity of professional positions and consultancies in the private and public sectors, (Metro, Disney Imagineering, Howard Hughes, M. Milken, NYC Educational Construction Fund, US Comptroller of the Currency etc,) assorted academic appointments (UCLA, USC, CCNY, Art Center etc.), and always open to new challenge. And let us not forget fashioning sand castles and acting on 90210, crafting TV docs, design reviews, master plans. Books: "The Dream Deferred: People, Politics and Planning in Suburbia," "L.A. Lost and Found," an architectural history of Los Angeles, "L.A. Follies," a collection of essays, and co-author of "The New York City Handbook." Writings have appeared in academic texts, commentaries on the web, scripts for TV, and wherever, latest the Architects Newspaper, The Planning Report and Planetizen.