This week on public radio 99.1 KBU and select websites, some suggestions for theatre goers ever on the search for a unique experience that the live stage promises.
For me, it is no wonder that theatre as a human endeavor has been around ever since ancient Greece, surviving our capricious civilizations, with its periodic deranged autocrats.
If you read into that an allusion to our present times, it is. Excuse me, but as a patriotic American, to be sure first generation, I cannot pass up an opportunity to take a swipe at the unpresidential Trump and his complicit Republican entourage that I feel is damaging our frail democracy.
That said, my arts and entertainment observation for this week is to forget trying to get tickets to Hamilton. We have, resolving ourselves to wait with some trepidation for the movie version, or perhaps a revival by the show biz bound students at Malibu or Uni high schools.
For something that promises to soar as Hamilton, and because it is just here for a limited engagement, check out the production of Candide, being presented with all its trimmings by the L.A. Opera at the Music Center’s Dorothy Chandler.
I frankly haven’t seen a preview. It opens tomorrow and runs until the February 18th. But the advance hype of the revitalized production resonate a must see, and so I will be going, albeit near the end of the run.
But I did see it several decades ago, and remember the music by Leonard Bernstein to hit just the right tone, and the book based on Voltaire’s classic satire to be timely then, and I expect after several reported rewrites it will be again.
If you are into literature, you might recall that the philosopher Voltaire’s story is the naïve search of the character Pangloss for the best of all possible worlds, only to constantly fall victim to an avalanche of unfortunate events, but somehow to survive
Bringing it to life will be Emmy Award winner Kelsey Grammer known of course as TV’s Frasier, and two-time Tony Award winner Christine Ebersole. They and a large cast will be under the baton of conductor James Condon, in this send up of a Broadway show and Opera
For me the real star of the evening is Bernstein, whose score melds the popular and classic into something distinct. The revival of his Candide is indeed a fitting celebration of what happens this year to be his centennial birthday.
But again, get your tickets, now, for like Hamilton, this show, opera, call it what you will, has all the makings of a hit.