Observing arts and entertainment might not be the most accurate description of these reports; commentaries or criticisms may be more on the mark.
Perhaps an even more precise, if not pretentious, description, would be “user advocate,” an adage heard in the design and development trade I plied in for years.
While lending some perspective and, wishfully, a dash of poetry to my opinions, my prime intention actually is to alert listeners on public radio 97.5 KBU and social media readers to reasonably accessible venues in our fractured Los Angeles.
With that in mind, I prefer giving alerts to current and upcoming events I think might be of interest to culture vultures, rather than doing a review of something I attended, but no longer is available, the exhibit having been taken down or the production ended.
That is why I gave a heads up recently to the Dorrance Dance Company’s appearance at the always engaging Wallis Cultural Center in Beverly Hills., that was just booked for three days, October 12th through the 14th.
A review at my scheduled times would not have allowed those who might be interested in this different dance ensemble time to make plans and get tickets. There are few phrases as sad in this fleeting world as, “I’m really sorry to have missed that.”
Well, sorry to report, if you did miss the Dorrance, you missed an exciting evening, even if you casually entertained by the magnetism of dance, melding music and movement as it does, in the seductiveness of sound and sight. I happen to love it.
So taking exception to my own guidelines –what are guidelines for but to take exception to– I must give it a review, if only to alert those who might have a chance to see the dance company when they hopefully return to the Wallis, or elsewhere.
The company directed and starring Michelle Dorrance, also deserves it, as does the Wallis for featuring it in its continuing dance offerings for which its theatre is near perfect.
As for the performance, it was great, original and breathtaking, giving the edgy rhythms of jazz expression in the patterned pulse of tap dancing, rising out the traditional club scenes of decades ago, and today’s raw street and subway scenes. Very American, and arresting.