We do appreciate the generosity of L. A.’s David Geffen, who as a well positioned player in the entertainment industry and a Malibu denizen amassed zillions, and has in turn been very generous endowing a host of cultural endeavors.
This has included a major addition to the Museum of Contemporary Arts downtown, and a landmark theatre. in Westwood, named naturally the Geffen. No doubt his buying and selling real estate in Malibu added a few drops to his overflowing bucket
But I must take strong exception to his latest burst of benevolence, $150 million to the rebuilding of the L..A, County Museum of Art. as I comment on public radio 97.5 KBU and websites everywhere.
If consummated, it will be the largest gift on record toward the construction of an American museum. And I sadly add perhaps one of the most misdirected.
The proposed design and construction of LACMA is, I feel, in a word, a bomb. I fear if pursued the project will not only be a colossal waste of money, including substantial public funds, but would subvert the city’s cultural spirit.
No doubt with a price tag approaching a billion dollars, it undoubtedly will drain funds from a multitude of art projects across Southern California,
In addition, the Geffen gift alternatively could, among other things, easily endow the museum – the city’s largest and most important — to eliminate its entrance fees, and magically open its doors to all, as the Hammer and Broad museums already do.
Meanwhile, spurred now by the gullible Geffen gift, the fund raising for the immodest brick-and mortar project stumbles forward. So does the design, which features a blob of a building bridging Wilshire Boulevard to replace the present fractured but functioning LACMA.
Admittedly, the museum could use some serious interior redesign, rehabilitation, and relandscaping to improve access and circulation.
True, a subtle restoration would be a real challenge to a design team, though not as easy and potentially not as dramatic as working with a cleared site. And certainly not if you are an over-reaching museum director, as Michael Govan apparently is, suffering as he does from an edifice complex.
Then there is his servile Swiss architect, Peter Zumthor, of limited museum experience and, as most architects, unlimited ambition. LACMA obviously is the commission of a life time, which has to be very enticing for an architect who seldom has worked beyond his conservative and confining country.
If this project is unfortunately pursued as it now seem it will be, when finished, Govan probably will move on, probably to New York, where he is said to yearn to become the director of the august Met. As for Zumthor, he most likely will go back to his Swiss hamlet
And L.A. will be stuck with a bomb of a costly building.