There is much, much to observe at the moment across Southern California’s cultural scene with the launching of what has to be the most ambitious coordinated exhibition ever of Latin American and Latino art, and so I comment this week on public radio 97.5 KBU and select websites.
It’s ambitious, challenging, actually an overwhelming introduction for the curious and the casual, and for those more versed. But most of all, it is an appreciation of the rich cultural traditions and contributions of Latin American.
Under the banner of Pacific Standard Time, the effort is branded LA slash LA, and is funded to the tune of $16 million dollars by the Getty, involving more than 70 cultural institutions across Southern California. Think of the Getty and friends as a gentle , rain and the exhibits as wildflowers.
Explored are the diverse topics of design and architecture, art and activism, photography and film, touching upon identity, gender, borders and migration, spanning pre Hispanic and colonial eras, modernism and abstraction, and the very much now.
The monumental curatorial scope of Pacific Standard Time and its respectful recognition of Latin American art actually was begun a half dozen years ago, and before the ugly, hysterical anti immigration rants and reactionary acts of our deranged president.
He talks of walls, while cultural efforts such as Pacific Standard Time celebrate how our hemispheres are linked by geography, climate and economics. Indeed, participating in the exhibits are some 1,100 artists from 45 countries in Latin America, as well as a smattering from elsewhere. It truly celebrates our nation’s rich diversity.
So where to begin? To avoid exhaustion, you, of course, can only take in so much at a time, and at specific places
I began at the County Museum, way back in June, with the exhibit “Home, So different, So Appealing, Art from the Americas Since 1957. “ And right as you enter, hitting you in the face, is an assemblage of personal effects. Talk about the fragments of cultures; they mesmerize.
Also at LACMA now is the exhibit Found in Translation: Design in California and Mexico, 1915–1985. Explored are the reciprocal influences of both lands through four main themes: Spanish Colonial inspiration, pre-Hispanic revivals, folk art and craft traditions, and Modernism.
And there is more at the County, including a retrospective of the art of Carlos Almaraz, one of the more influential activist Chicano artist of the 1970s and 80s, who died too young at 48 .
If you have the time, across the street from LACMA, at the Craft and Folk Art Museum is the quite timely subject of the U.S. and Mexican border, its imagination and possibility. And to think that this exhibit was put together before the current controversy.
These are just starters, and I will be exploring many others in the weeks ahead. Meanwhile, venture out of Malibu and try to catch a few