HAMILTON TICKET MANIA

I’m sorry to report this week on public radio 97.5 KBU and select websites that as your intrepid cultural correspondent and avid theatre goer, I unfortunately missed the opening at the Pantages Theatre in Hollywood of the much heralded Hamilton, the hit musical fresh from sell outs in New York .

There the contemporary, hip-hop-inflected spin on the story of the Federalist founding father, had been received as something akin to the second coming, and scoring a ticket equal to winning the Publisher’s Clearing House sweepstakes.

We had considered getting tickets when in New York, but going through the box office was near impossible, and cashing in a 401 for a pair of questionable scalper’s seats not advisable to our financial consultant, and a mortal sin to our cultural faiths.

I also feel it is a bit ironic that the quest for tickets had taken on the mien of a stock market mania – something akin to the Dutch tulip craze in the 17th century– considering Alexander Hamilton was the liberal first secretary of the Treasury, remembered for attempting to bring some financial stability to post revolutionary United States.

Anyway, a New Yorker we know well and respect actually had gone to the opening night, and had judged the production just, “okay”. And the fact is she had only gone because it was a benefit for the praiseworthy non-profit Humanity in Action.

So we decided to wait until it came to Los Angeles, where if you keep tabs on such things, it seems to have been received as perhaps not as a second coming, but a third. The first, of course, being a tenet of pure faith that occurred 2,000 or so years ago and the second, a reception for President Clinton at the home of Barbra Streisand in the heyday of his now lamented administration.

So we of little faith missed the opening, have gotten no reasonable invites and not wanting to pay the box office prices of $300 and up. and the scalper prices that far exceed my TOTAL tuition and fees for four years at a Ivy League school. It was $600.

To the credit of the producers, there is a daily lottery for a few teasing $10 tickets. Entering it is relatively simple. Chances of winning very slim. We have tried and lost, but intend to keep trying.

Meanwhile, in reality it appears we will wait until the crowds might diminish before its run at the Pantages ends, or maybe a secret Santa deems to gift us, or just be content with a someday student production at Pepperdine, or Malibu High. Then there probably will be a movie, probably a bad one..

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hallkaplan

Parallel careers as an urban planner and a journalist, principally at present airing commentaries on pubic radio 99.1 KBU.FM The many arrows in my quiver have included Emmy award winning reporter/ producer for local Fox Television News, design critic for the Los Angeles Times, urban affairs reporter for The New York Times, an editor of The New York Post, contributor to various popular and professional publications, news services and broadcast outlets, including Reuters, NET, NBC, CBS, NPR and the BBC. Founding editor of the East Harlem (NY) Independent. A diversity of professional positions and consultancies in the private and public sectors, (Metro, Disney Imagineering, Howard Hughes, M. Milken, NYC Educational Construction Fund, US Comptroller of the Currency etc,) assorted academic appointments (UCLA, USC, CCNY, Art Center etc.), and always open to new challenge. And let us not forget fashioning sand castles and acting on 90210, crafting TV docs, design reviews, master plans. Books: "The Dream Deferred: People, Politics and Planning in Suburbia," "L.A. Lost and Found," an architectural history of Los Angeles, "L.A. Follies," a collection of essays, and co-author of "The New York City Handbook." Writings have appeared in academic texts, commentaries on the web, scripts for TV, and wherever, latest the Architects Newspaper, The Planning Report and Planetizen.

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