For those who love music and dance, are adventurous, and willing to fight the traffic on a weekend, you might want to check out a Music Center extravaganza; not at the music center downtown, but in the more accessible Hollywood Hills.
And so I comment this week on public radio 97.5 KBU, and select websites everywhere.
Admirably conscious of the need to go beyond its central campus on Bunker Hill Downtown, the Center is offering three evenings of distinctive productions in the welcoming renovated and reconstructed, John Anson Ford Theatre, in the Cahuenga Pass.
And, yes, you can come early, as you can to its next-door neighbor, the Hollywood Bowl, and picnic, making the evening a social event, and time it to best the traffic. To make things a little more comfortable, for those who do not like schlepping, there are new concessions, serving full dinners.
The 1,200-seat theatre was recently creatively reimagined by L.A.’s premier restoration architect, Brenda Levin. She has fashioned the iconic but ancient Ford Theatre – built nearly a century ago — into a state-of-the-art venue, for both the audiences and performers, with new seating, staging and most critically, theatrical lighting and audio visual systems
Having toured the Ford in the last throes of its $66 million reconstruction, I can’t wait to see it come alive with performances. And neither obviously could the Music Center, under the auspices of a most cooperative county arts commission, in joining forces with the Ford for three evenings, to sponsor what each promises to be a memorable experience.
On stage next Friday, the 18th, will be a dance performance by acclaimed choreographer Aszure Barton, entitled Awaa, which has been described as a powerful journey through music and sound, celebrating sexuality and humanity.
Featured are seven male dancers and one woman, in a performance the San Francisco Chronicle labeled “brilliant” and The New York Times, “audacious.”
Saturday, the 19th features a double bill that includes an original work by the ever-challenging Jacob Jonas. Expect something visual and visceral.
It will be followed by a concert exploring an electronic mix of past and present composition in a melding specifically for the outdoor location of the Ford. Hopefully it will be harmonic, as will be a concluding new age, new music piece.
I expect Sunday evening’s entertainment will be somewhat milder, with songwriter Rufus Wainwright performing a program that includes curated Canadian compositions.