It’s back on air on public radio KBU 97.5 and in print after several weeks on the east coast that included returning to my cultural roots in western Massachusetts.
There, I am happily to report the Berkshire Mountain is still joyfully flourishing, as a wellspring of dance, music and the visual and performing arts, in an accessible historic cluster.
For us that meant locating in the pleasant village of Lenox, and making daily forays to the surrounding attractions.
First and foremost was nearby Tanglewood. The Koussevitsky Music Shed was inviting as ever, though to be sure I no longer sat on the lawn for concerts, but in a chair under cover and closer. And the summer resident Boston Symphony Orchestra was as crisp and refreshing as expected, in a program of Mozart’s youthful violin concerto number 3.
The soloist was Daniel Lozakovich, a 15-year-old European phenom, making his American debut. He performed faultlessly, and was cheered enthusiastically, especially by his mother, who sat near us.
He joined her after intermission for the program’s second feature, Mahler’s fourth symphony, and arguably his most genial. This performance also had a family touch, the orchestra being conducted by Andris Nelsons, and the last movement’s vocal centerpiece, delivered by his wife, Kristime Opolais.
In the evening, it was the Ozawa Hall, and a tribute to Ella Fitzgerald and the American Songbook, batted out enthusiastically by Tanglewood’s vocal troupe accompanied by members of the Boston Pops. I just loved Stephanie Blythe, who echoed Ella Fitzgerald.
The next day Tanglewood’s own orchestra performed, with the addition of world renown trumpeter Hakan Hardenberger, in a program that included some several modern scores. Ever engaging was Prokofiev’s Symphony No. 1, less so Mark-Anthony’s Turnage’s From the Wreckage.
To be sure, the humid weather and thunderstorms were not as climate perfect as Southern California’s, but the festivals and museums forays were sublime, notably also Jacob’s Pillow for dance and a forever expanding and engaging Massachusetts Museum of Art in North Adams.
My Berkshire ramble prompted the thought of Los Angeles, and how the region’s emerging and engaging cultural gazpacho might be better organized and orchestrated to serve Southern California’s expanding and diverse population, fractured and institutionalized as it is.
Ah, if some of those selected self aggrandizing arts efforts were only less insular and more attuned to audiences and artists, how refreshing and energizing our cultural scene could be; if only our vain patrons and pandering politicians were less ego involved, indeed, if only pigs could fly.