All of a sudden the rain had stopped, the sun was out, and Spring was upon us, and looking at my calendar I realized it has been six months since I last visited the Getty.

That really is too long to go without venturing to the Getty Center to check out its always-engaging parade of exhibitions, possibly take in an interesting performance, maybe a talk. With no admission charges, it’s a deal., and so I comment this week on public radio 97.5 KBU, and select websites. And with both the Museum off the 405 and the Villa off the PCH, being relatively nearby, I think of the Getty as Malibu’s cultural center.

The current featured exhibit is on the French 18th century sculptor and draftsman Edme Bouchardon, who quite frankly I was not familiar with. That the exhibit shed light on a relatively unknown artist, at least to me, is one of the things I love about the Getty, for Bouchardon was a very prolific artist during the reign of Louis XV and the days before the French revolution.  Indeed, he served as the Royal Artist, producing in particular exquisite sculptures of the king and the French aristocracy. The detailing is fascinating, and I found myself mesmerized. Also revealing was his drawings, including those of ordinary people.The large exhibit is said to be the first on Bouchardon traveling beyond the continent, and in a word, is “enlightening.” It runs until April 2d.

Also on display on loan at the Getty, and also enlightening, is a single work by Degas, labeled the Russian Dancers. It is one of his many works he did in pastel, and is a focus of a most welcome detailed explanation of the artist’s experimentation with color in his later years.

As a media maven, I was looking forward to seeing the temporary exhibit entitled Breaking News, which explores how artists had incorporated news images, from the Vietnam War and recent “War on Terror” into their art, as political and personal commentary. Having been a journalist during this period, I found the artists renderings mostly pretentious; the reality I feel did not need a veneer of art to make a point.

The day ended for us with a rousing, performance of Sharde Thomas and the Rising Star Fife and Drum Band It was blues with a beat, from the deep South. Thomas is an original, and great, and set hands clapping and arms waving: a fitting finale to a diverting day at the Getty.


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Parallel careers as an urban planner and a journalist, principally at present airing commentaries on pubic radio 99.1 KBU.FM The many arrows in my quiver have included Emmy award winning reporter/ producer for local Fox Television News, design critic for the Los Angeles Times, urban affairs reporter for The New York Times, an editor of The New York Post, contributor to various popular and professional publications, news services and broadcast outlets, including Reuters, NET, NBC, CBS, NPR and the BBC. Founding editor of the East Harlem (NY) Independent. A diversity of professional positions and consultancies in the private and public sectors, (Metro, Disney Imagineering, Howard Hughes, M. Milken, NYC Educational Construction Fund, US Comptroller of the Currency etc,) assorted academic appointments (UCLA, USC, CCNY, Art Center etc.), and always open to new challenge. And let us not forget fashioning sand castles and acting on 90210, crafting TV docs, design reviews, master plans. Books: "The Dream Deferred: People, Politics and Planning in Suburbia," "L.A. Lost and Found," an architectural history of Los Angeles, "L.A. Follies," a collection of essays, and co-author of "The New York City Handbook." Writings have appeared in academic texts, commentaries on the web, scripts for TV, and wherever, latest the Architects Newspaper, The Planning Report and Planetizen.

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