I usually don’t do previews of the arts and entertainment productions that interest me, preferring instead reviews. I frankly feel more comfortable lending my opinions to something I have actually witnessed, be it for public radio, and my own enjoyment.
But as I comment on 97.5 KBU and select websites, the incomparable Alvin Ailey American Dance Theatre is coming to the L.A. Music Center next week is an exception.
The Ailey engagement will only be here for five days, beginning March 8, a Wednesday, through March 12, Sunday. My reviews run on Fridays, so I’d have to see it Wednesday, write and record Thursday, for Friday air time.
That immodestly is no problem for me, but it means for my listeners and readers if my reviews prompt them to see a performance, they have at best only three days to do it. And further, the chances of scoring what I anticipate will be a very hot ticket, would be a challenge. So this preview will give you a heads up.
Further, having enjoyed the dance company since its founding in New York City in 1959, which is when I happened to start writing for the New York Times, I’m confident that the program will be marvelous, just as thy have been for me over these very long years.
Indeed, I can close my eyes and actually see in my mind’s eye memorable moments from performances I attended in my distant past. I think the first time was in New York’s City Center, on a cold winter’s evening,.
I remember also when after the performance I hurried a block away, to the Carnegie Deli, for an equally memorable cup of chicken soup, equal to my mother’s, and an overstuffed, Pastrami sandwich of crusted, warm rye bread. schmered with Russian dressing. a juicy sour dill pickle on the side. The Carnegie sadly is no longer, a moot point since at my doctor’s advice I can no longer eat fatty, spiced Pastrami.
But the Alvin Ailey continues, as one of America’s premier dance companies, presenting I anticipate a challenging program of new pieces, set to stirring music, sumptuously staged, and framed by imaginative sets: an evening to be remember.
And according to the program, every performance ending as always with Ailey’s signature “Revelations.” a transcending spiritual drama that if you never seen, you must.  3.3.17

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Parallel careers as an urban planner and a journalist, principally at present airing commentaries on pubic radio 99.1 KBU.FM The many arrows in my quiver have included Emmy award winning reporter/ producer for local Fox Television News, design critic for the Los Angeles Times, urban affairs reporter for The New York Times, an editor of The New York Post, contributor to various popular and professional publications, news services and broadcast outlets, including Reuters, NET, NBC, CBS, NPR and the BBC. Founding editor of the East Harlem (NY) Independent. A diversity of professional positions and consultancies in the private and public sectors, (Metro, Disney Imagineering, Howard Hughes, M. Milken, NYC Educational Construction Fund, US Comptroller of the Currency etc,) assorted academic appointments (UCLA, USC, CCNY, Art Center etc.), and always open to new challenge. And let us not forget fashioning sand castles and acting on 90210, crafting TV docs, design reviews, master plans. Books: "The Dream Deferred: People, Politics and Planning in Suburbia," "L.A. Lost and Found," an architectural history of Los Angeles, "L.A. Follies," a collection of essays, and co-author of "The New York City Handbook." Writings have appeared in academic texts, commentaries on the web, scripts for TV, and wherever, latest the Architects Newspaper, The Planning Report and Planetizen.

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