The title of the latest ambitious production at the Wallis Annenberg Center for the Performing Arts in Beverly Hills is “946: The Amazing Story of Adolphus Tips..”

If the title is cryptic, so is the production, as I comment on my weekly arts and entertainment observed on public radio 97.5 KBU and select websites.

But let me add, it is also engaging, at times indeed dazzling, if somewhat scattered. And adding to the stew on stage is that it is based in part on a true story, and as we know, the truth often can be messy.

“946” in the title stands for the number of troops actually killed in a disastrous single-at-sea military exercise in preparation for the D-Day Normandy landing in June, 1944.

“The Amazing Story of Adolphus Tips” is a popular children’s book by Michael Morpurgo about a lost cat of a girl coming of age during World War Two in a village in England where American troops were stationed, many of whom died in the exercise.

Morpurgo adapted the play with Emma Rice, who directed the distinct mash up style of the English production company of Kneehigh , replete with an on stage swing band, a parade of puppets and a large cast of jumping jack actors.

Throw in a clutter of washtubs filled with water in the orchestra pit fronting the stage representing the English Channel where the troops tragically died. And then there are the toy jeeps, the occasional bicyclist coming out of nowhere and going nowhere and, well, you get the picture. You might kindly label the effort innovative. Others might say it is a muddle.

As for the story line, the young girl loses her cat named Tips, or vice a versa, and spends most of her time on stage looking for her, aided by a couple of jitter bugging American soldiers based in the village.

Then there are several sub plots, some somber – after all a war is going on—and sweet, a young woman is coming of age. By the way, the performance of the girl by Katy Owen animated by flying pigtails and flailing arms and legs enlivens the stage, and lends the tale a winning focus.

It all might be untidy, but it is fun to look at, and actually to join in at, in a rousing finale. You leave the theatre smiling.

“946” runs through March 5, at the welcoming Wallis





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Parallel careers as an urban planner and a journalist, principally at present airing commentaries on pubic radio 99.1 KBU.FM The many arrows in my quiver have included Emmy award winning reporter/ producer for local Fox Television News, design critic for the Los Angeles Times, urban affairs reporter for The New York Times, an editor of The New York Post, contributor to various popular and professional publications, news services and broadcast outlets, including Reuters, NET, NBC, CBS, NPR and the BBC. Founding editor of the East Harlem (NY) Independent. A diversity of professional positions and consultancies in the private and public sectors, (Metro, Disney Imagineering, Howard Hughes, M. Milken, NYC Educational Construction Fund, US Comptroller of the Currency etc,) assorted academic appointments (UCLA, USC, CCNY, Art Center etc.), and always open to new challenge. And let us not forget fashioning sand castles and acting on 90210, crafting TV docs, design reviews, master plans. Books: "The Dream Deferred: People, Politics and Planning in Suburbia," "L.A. Lost and Found," an architectural history of Los Angeles, "L.A. Follies," a collection of essays, and co-author of "The New York City Handbook." Writings have appeared in academic texts, commentaries on the web, scripts for TV, and wherever, latest the Architects Newspaper, The Planning Report and Planetizen.

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