THE REDCAT THEATRE, THE CUTTING EDGE OF L.A.

 

From my catbird seat in Malibu I love the cultural blooming in Los Angeles, in particular the avant-garde art, cutting edge dance and-music, experimental theatre and inventive film. It is what I feel makes L.A. such a great place to live and learn.

What I frankly don’t love is getting to the varied venues scattered across the Southland. Traffic downtown, to the arts district, to Bunker Hill is most times off putting, driving a pain and using mass transit actually worse.

You have to learn to beat the traffic.

That is one of the reasons I like the Redcat Theatre, tucked in the southwest corner under the Disney Concert Hall at Grand Avenue and Second Street, almost as an after thought to the iconic, undulating Frank Gehry conceit. The theatre is about what happens in it, not the architecture.

Curtain time for its evening performances are at 8.30, a little later but allowing for traffic to lighten or lingering at a dinner. Best for me are the Sunday performances, scheduled at 7, when traffic tends to be even lighter, parking painless and returning home easier and earlier.

But first and foremost is that the Redcat founded by the trendsetting California Institute of the Arts – known as CalArts – has been a well spring of creativity, outshining the region’s other more prevailing, and pricey, institutions.

In my opinion, if you want to be on the cutting edge of culture, and get a glimpse of the future, now, get to the Redcat. Whatever is being presented might not work, might indeed by uncomfortable, but for sure you’ll stay awake and be challenged, and probably will not easily forget what you have seen.

Me, I’m going to the Redcat this weekend to catch a dance performance of the center for national choreography of Monteplier, France. The performance is said to be wild, combining contemporary dance with folk dances, in an explosion of vitality by eight male dancers, energized by two on stage percussionists.

In its review, the Le Monde of Paris declared the performance “the joy of being alive, of being together momentarily, and the visceral excitement of dancing. “

Certainly sounds like more fun than beating the visceral excitement of driving in heavy traffic.

 

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hallkaplan

Parallel careers as an urban planner and a journalist, principally at present airing commentaries on pubic radio 99.1 KBU.FM The many arrows in my quiver have included Emmy award winning reporter/ producer for local Fox Television News, design critic for the Los Angeles Times, urban affairs reporter for The New York Times, an editor of The New York Post, contributor to various popular and professional publications, news services and broadcast outlets, including Reuters, NET, NBC, CBS, NPR and the BBC. Founding editor of the East Harlem (NY) Independent. A diversity of professional positions and consultancies in the private and public sectors, (Metro, Disney Imagineering, Howard Hughes, M. Milken, NYC Educational Construction Fund, US Comptroller of the Currency etc,) assorted academic appointments (UCLA, USC, CCNY, Art Center etc.), and always open to new challenge. And let us not forget fashioning sand castles and acting on 90210, crafting TV docs, design reviews, master plans. Books: "The Dream Deferred: People, Politics and Planning in Suburbia," "L.A. Lost and Found," an architectural history of Los Angeles, "L.A. Follies," a collection of essays, and co-author of "The New York City Handbook." Writings have appeared in academic texts, commentaries on the web, scripts for TV, and wherever, latest the Architects Newspaper, The Planning Report and Planetizen.

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