For my pubic radio commentary this week, an unusual topic involving an uncommon craftsman and a distinct historic landmark, chronicled in singular book by an adroit architect.
It makes for an interesting read, especially for historic preservation buffs, and prompt a visit to Rancho Cucamonga. You will not be disappointed.
The topic is the diligent relocation of a two woodworking studios, a hand crafted residence, guesthouse and 20 odd mature trees out of the path of a planned freeway to a protected site three miles away.
The book title tells it all: “Moving Sam Maloof,” with an explanatory sub title, quote “Saving an American Woodworking Legend’s Home and Workshop,” end quote. Revealing also was that it was written with empathy by Ann Kovara , who not incidentally was the relocation project’s construction manager.
You usually do not get this literary quality from a practicing architect or perspective from a writer.
Packing the contents, taking down several detailed structures, uprooting a score of select trees, then moving it all a short distance on local streets, and reconstructing and replanting it all, is not your usual dramatic subject for an engaging book.
But “Moving Sam Maloof,” surprisingly is, especially if familiar with the original bucolic compound and a friend and admirer of the owner.
When I got to know Sam he already was an acclaimed woodworker, a true California Living Legend, indeed the first craftsman to receive a MacArthur Foundation so called genius grant; his exquisite furniture was in demand, back ordered for years, and workshop thriving.
Nevertheless, he always found time to open his shop and beguile my students venturing out of the Art Center College of Design in Pasadena.
Those days for me ran into evenings and relaxed meals with him and his lovely wife Alfreda and children at an accommodating nearby restaurant. He also gave his time freely for several TV segments I produced.
Kovara captures that spirit of Sam that was truly tested when the State made clear its intention to run a freeway through his 5 acre compound of 45 years.
Tough negotiations followed, during which time preservation grants became available, the overseeing bureaucrats became sympathetic, and the elaborate relocation details were resolved, with all involved bending a little, not unlike a rare pliable hardwood.
Sam witnessed the move, which took 3 years, from 1998 to 2001. He sadly passed, in 2009, at age 93.
The relocated house and studio is now under the care of the Sam and Alfreda Maloof Foundation, and can be toured. Contact the foundation for days, hours and other details.